A gripping two-part documentary reveals the events surrounding the killings of Carol and Stephen Baxter. Plus: the downfall of P Diddy. Here’s what to watch this evening

9pm, ITV1
This two-part documentary opens with a petrified 999 call from Ellena Baxter, who was accused of murdering her parents, Carol and Stephen, in 2023. But what starts as a generic true crime tale gives way to a blow-by-blow account of the catfishing and cruelty suffered by the Baxters and their daughter in the years prior. Hannah J Davies

Sydney comedy festival, then touring
The UK comedian’s standup set is both a dishy conversation with a friend and a thrilling rejection of the good mother archetype

One must imagine Sisyphus happy.

So goes the oft-quoted conclusion of Albert Camus’ 1942 treatise The Myth of Sisyphus – comparing all of human existence to an endless struggle.

I Am a Strange Gloop is on in Perth on 2 May before touring across the UK from June

From its cavernous domed bazaar to its ravishingly muscular museum, the Uzbek capital has one of the world’s wildest collections of modernist gems. Will its bid for world heritage status succeed?

A pair of huge turquoise domes swell up on the skyline of Tashkent, the capital of Uzbekistan, perching on the jumbled horizon like two upturned bowls. One gleams with ceramic tiles, glazed in traditional Uzbek patterns. The other catches the light with a pleated canopy of azure metal ribs. Both recall the majestic cupolas that crown the mosques of the country’s ancient Silk Road cities of Samarkand, Khiva and Bukhara. But here, they cover structures of a very different kind.

The ribbed metal dome crowns the home of the state circus, its futuristic-looking big top seeming to have been crossed with a UFO. Built in 1976, it’s big enough to hold an audience of 3,000. The ceramic dome, meanwhile, looms over the bustling chaos of the city’s main market, Chorsu Bazaar, built in 1980 as a wonderworld of fruit, meat and fish, sprawling across an area the size of two football pitches. Both are dazzling works of Soviet modernism, and part of a remarkable group of buildings that the country has just submitted to Unesco, in the hope of having them granted world heritage status .

Exclusive: Previously unseen footage of actor larking about with friends at home upends Garbo’s aloof image

She is remembered as the ultimate reclusive film star, following her shock retirement at the height of her success. But the enduring image of Greta Garbo is being challenged by a new documentary, which will show that, far from withdrawing from life – as in her most famous line, “I want to be alone” – she lived it to the full, partying with close friends.

The British film-maker Lorna Tucker has been given access to previously unseen behind the scenes footage in which the star, once described as “the most alluring, vibrant and yet aloof character ever to grace the motion picture screen”, can be seen larking about and laughing.

The actor has seen the best and worst of Hollywood, from directors like Paul Thomas Anderson to the notorious Harvey Weinstein. She talks about her #MeToo moment, her difficult childhood and her new movie, Chosen Family

For almost all her life, Heather Graham says, she was a “people pleaser”. It was encouraged in childhood, she says, this obligation to put others’ needs above her own, and it endured even after the 1997 film Boogie Nights had made her a star and she had severed all contact with her “judgmental, authoritarian” parents.

Now 55, Graham was in her 40s before she recognised her self-sabotaging tendencies, and tried to correct course. “I realised, no, actually I can just ask myself, ‘What do I want?’ and make myself happy,” she says over Zoom from her home in Los Angeles. “I wish I could have had this when I was 20 or 15. If I wasn’t trying to please other people, what would I have done?” It affected her romantic life and sometimes her work. “There were moments where I feel like I could have stood up for myself more,” she says.

New episodes of season 2 of The Last of Us are premiering on HBO every Sunday night, and Ars' Kyle Orland (who's played the games) and Andrew Cunningham (who hasn't) will be talking about them here every Monday morning . While these recaps don't delve into every single plot point of the episode, there are obviously heavy spoilers contained within, so go watch the episode first if you want to go in fresh.

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Footage of Northern Irish rap trio Kneecap allegedly calling for the death of British MPs is being assessed by counter-terrorism police

Footage of Northern Irish rap trio Kneecap allegedly calling for the death of British MPs is being assessed by counter-terrorism police.

Video emerged of the band at a November 2023 gig appearing to show one person from Kneecap saying: “The only good Tory is a dead Tory. Kill your local MP.”

British Museum, London
The Japanese master’s weightless gaze birthed not only French impressionism but also the whole ideal of art as a way of capturing momentary glimpses of everyday joy

The only thing wrong with the British Museum’s rapturous trip through the Technicolor world of Utagawa Hiroshige’s prints is its final section, which explores this early 19th-century Japanese artist’s continuing global influence. A patchy sampling of Hiroshige’s imitators is all a bit rushed. But then, to do justice to his after-echoes would take a blockbuster in itself, not an epilogue.

Everywhere I looked up to this point, it was evident how precisely French impressionism followed Hiroshige’s cues. Take rain. It becomes a pleasurable urban event in Renoir’s The Umbrellas , but it was Hiroshige who first saw rain as a lighthearted excuse to put up umbrellas – in works such as his print Tarui , created in the 1830s. The impressionist theme of snow, enjoyed by Monet, is also delightfully anticipated by Hiroshige’s 1832-34 work Snow-viewing Along the Sumida River .

The documentarian manages to stay calm and polite as guns are repeatedly pointed at him in the West Bank. Then someone shoves him …

If you’ve even casually been tracking Louis Theroux’s career, you will have detected a noticeable deceleration of late. For a while, after he shed the culty sheen of his Weird Weekends persona, Theroux emerged as a sober, probing documentarian who made films about drug addiction, sexual assault and postpartum depression. These films were, without exception, vital.

Then lockdown happened, and the wheels fell off. After going viral for a self-consciously ironic rap he did 20 years earlier, Theroux settled into the low-stakes quicksand of a generic celebrity interview podcast. You were left with the feeling of an extraordinary talent being wasted.