Authors like me are being targeted by AI-powered accounts promising exposure and fake reviews

• Self-publish and be scammed: Jon’s tale of heartbreak highlights boom in fraudsters using AI to supercharge book swindles

My latest book had been out for less than a month when the emails started to arrive.

One came from “Elena”, with the tantalising subject line, “When history flutters its wings and reveals a crime too beautiful to ignore.” Then followed a long, florid message about how it was “one of those rare true stories that makes you question everything you thought you knew about history, museums, and human obsession”.

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Barbara Taylor Bradford’s 1979 novel became a massive TV hit in the 1980s. Now, Brenda Blethyn has donned a fabulous wig to whisk us back to the age of excess and escapism

Basically, there was trouble at ’mill. Or at least t’mill owner’s house. This is the fons et origo of Barbara Taylor Bradford’s A Woman of Substance. The quintessential rags-to-riches tale, of impoverished Yorkshire lass Emma Harte making her way to the top of the fashion business, was published in 1979 – but it anticipated and appealed instantly to the self-improving, bootstrap-straining, money-hungry, power-mad, ambition-laden mood of the decade to come. It was first adapted for television in 1985 (starring Jenny Seagrove and Deborah Kerr as Emmas young and old) and now it is time for another. Katherine Jakeways and Roanne Bardsley have delivered an eight-part miniseries whose lavish absurdity takes us back to the supreme madness of 80s television and gives us the escapism we surely all currently crave.

We open in the late 70s with Emma Harte in a limousine and her multimillionaire grande dame prime. She is played by Brenda Blethyn, who has, at last, cast off her drab Vera garb and shuffling gait after 14 series. Instead, she has embraced a gorgeous silver-grey bouffant wig and equally lavish wardrobe, with, I hope, all the joy that such a metamorphosis can bring.

A Woman of Substance is available on Channel 4.

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The key to working at a place like Ars Technica is solid news judgment. I'm talking about the kind of news judgment that knows whether a pet peeve is merely a pet peeve or whether it is, instead, a meaningful example of the Ways that Technology is Changing our World.

The difference between the two is one of degree: A pet peeve may drive me nuts but does not appear to impact anyone else. A Ways that Technology is Changing our World story must be about something that drives a lot of people nuts.

"But where is the threshold?" I hear you asking plaintively. "It's extremely important that I know when something crosses the line from pet peeve to important, chin-stroking journalism topic!"

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Nathan Chasing Horse found guilty on 13 of 21 charges in case that affected Indigenous communities across US

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Nathan Chasing Horse, the actor known for his role in Dances With Wolves, is scheduled to be sentenced next Wednesday after being convicted of sexually abusing Indigenous women and girls, bringing to an end a case that deeply affected Native American communities across the country.

The sentencing comes about a month after a Nevada jury found him guilty on 13 of the 21 charges brought against him. Many of the convictions stemmed from allegations involving a victim who was 14 years old when the abuse began. The jury cleared him of several other sexual assault counts. Chasing Horse has denied all accusations.

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On the 250th anniversary of The Wealth of Nations, the Scottish philospher is still invoked by the right. Yet he worried about inequality, monopoly and the power of wealth

This week 250 years ago , Adam Smith published An Inquiry Into the Nature and Causes of the Wealth of Nations – and invented economics. The anniversary has been marked by opinion columns , new books and academic conferences. How different it was 50 years ago. The 1976 bicentenary produced the definitive scholarly edition and helped cast Smith as the father of free-market economics. This was an easy sell during the 1970s slow collapse of the postwar economic order. Smith was useful as a symbolic figure for the revival of free-market ideas. Yet the truth is more complicated.

Milton Friedman , a Nobel laureate, recruited Smith as the patron saint of neoliberal economics in his 1980 book and television series Free to Choose – a manifesto that anticipated Reaganism in the US. He reduced Smith to two claims: that a voluntary exchange benefits both parties and that self-interest is led by an “invisible hand” that unintentionally promotes the public interest. In short: greed is good. In fact, Smith used the phrase “invisible hand” only once in The Wealth of Nations, to describe whether merchants invest their capital at home or abroad – and not, as Friedman claimed, as a general theory of markets.

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Grammy-winning singer is in advanced talks to lead an adaptation of Sylvia Plath’s novel for Oscar-winning writer-director

Grammy-winning singer-songwriter Billie Eilish is set to make her big screen acting debut in an adaptation of Sylvia Plath’s semi-autobiographical novel, The Bell Jar.

According to Deadline , the 24-year-old will take on the lead role for Sarah Polley, the writer-director who previously won an Oscar for her Women Talking screenplay. Eilish is reportedly in advanced talks for the part.

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First, in the plainest language, before we get to anything else, Project Hail Mary is a fantastic film. It does right by its source material, and it also easily stands on its own for folks who haven't read the book. It comes out on March 20, and if you're a regular Ars Technica reader, you will almost certainly enjoy the crap out of it. Go see it as soon as you can, and see it in a theater where the big visuals will have the most impact.

Next, a word about what "spoiler-free" means here: In this short review, I'll talk about stuff that happens in the movie's many , many trailers . If you're an ultra-purist who is both interested in this film and who has also somehow avoided reading the book and also seeing any of the trailers, bail out now.

Otherwise, read on!

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The film will cover the early years of the 1980s rock band and their breakout with hits like Livin’ On a Prayer and You Give Love a Bad Name

A Bon Jovi biopic is in the works from Universal Pictures, Deadline has confirmed.

The feature film will focus on the early years of the rock band, tracing their rise from modest beginnings in New Jersey to selling out stadiums as one of the 1980s’ most defining rock bands.

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Tracy Chevalier announces registration scheme at the London Book Fair as AI works flood market

The Society of Authors (SoA) has launched a scheme to help identify works written by humans in a market increasingly flooded by AI-generated books.

The scheme is the first of its kind launched by a UK trade association, and allows authors to register their books and download a “Human Authored” logo to display on their back cover.

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