Ten men nicknamed ‘grandpa robbers’ accused of stealing jewellery worth millions from American TV star in 2016

Ten people nicknamed the “grandpa robbers” by French media are to go on trial charged with stealing jewellery worth millions of euros from the American reality TV star Kim Kardashian when she attended Paris fashion week in 2016.

The suspects, whose ages range from 35 to 78, will appear in a court in the French capital on Monday afternoon at the start of a month-long trial in which Kardashian, 44, will testify in May.

Booker-nominated writer Deborah Levy is thrilling audiences with her play about a psychoanalyst dealing with a very unusual patient, seized with anxiety about modern life. She explains how it came about

Two years ago, Deborah Levy came across a cartoon that sparked her imagination. It featured a Freud-like figure sitting opposite a rabbit on an analyst’s couch. Levy, a three-times Booker nominated novelist and award-winning author of nonfiction, had began her career as a playwright but had not written a script for 25 years until she came across the image. “As soon as I saw it,” she says, “I heard dialogue in my mind: a conversation, a serious, difficult conversation between a professor and a rabbit, about contemporary anxiety. I knew it was a play,” says Levy.

The premise may seem absurd but that is precisely the point – absurdism is a way of dealing with themes that have proved, in the wider world, divisive and even explosive to debate. Because the two-hander includes a rabbit, it makes space for humour, for misunderstandings.

An impassioned plea to save our rivers combines poetry and adventure

Tracking a river through a cedar forest in Ecuador, Robert Macfarlane comes to a 30ft-high waterfall and, below it, a wide pool. It’s irresistible: he plunges in. The water under the falls is turbulent, a thousand little fists punching his shoulders. He’s exhilarated. No one could mistake this for a “dying” river, sluggish or polluted. But that thought sparks others: “Is this thing I’m in really alive ? By whose standards? By what proof? As for speaking to or for a river, or comprehending what a river wants – well, where would you even start?”

He’s in the right place to be asking. In September 2008, Ecuador, “this small country with a vast moral imagination”, became the first nation in the world to legislate on behalf of water, “since its condition as an essential element for life makes it a necessary aspect for existence of all living beings”. This enshrinement of the Rights of Nature set off similar developments in other countries. In 2017, a law was passed in New Zealand that afforded the Whanganui River protection as a “spiritual and physical entity”. In India, five days later, judges ruled that the Ganges and Yamuna should be recognised as “living entities”. And in 2021, the Mutehekau Shipu (AKA Magpie River) became the first river in Canada to be declared a “legal person [and] living entity”. The Rights of Nature movement has now reached the UK, with Lewes council in East Sussex recognising the rights and legal personhood of the River Ouse.

The ursine protagonists are largely relegated to fart-gag sidekicks in this phoned-in attempt at a dystopian sci-fi

When George Michael recorded Careless Whisper, there can be no doubt his ultimate ambition for it would have been to soundtrack a garish animated sequence in which two anthropomorphic bears gambol through a prairie of giant fungus experiencing ecstatic visions as hallucinogenic spores rain down on them. Such is the frantic way of this Chinese cartoon franchise, as relentless and exhausting as ever in its 11th feature-film instalment. Five minutes in, before the credits, it has crammed in a post-apocalyptic prologue, oodles of eco-babble, a time-travelling tyke and an avalanche.

This latest one jumps on the fungal-panic bandwagon: Saylor (voiced by Nicola Vincent in the English-language version) has nipped back 100 years to locate the original spores at the root of a pestilence that has eradicated most of life on Earth. It turns out that hapless nature guide Vick (Chris Boike), seen polluting the forest with his tourists, was responsible for spreading them After Saylor fails to kill the mushroom in the cradle, the pair – along with Vick’s forest buddies, the bears Bramble (Joseph S Lambert) and Briar (Patrick Freeman) – are whisked back to the future. They discover a fungus-carpeted nightmare of a planet, overshadowed by a giant skyscraping toadstool.

After years of civil war and precarious peace, Covid-19 and the Beirut explosions of 2020 once again plunged Lebanon into crisis. But photographer Rania Matar has found inspiration for her project Where Do I Go? in the country’s women. ‘Instead of focusing on destruction, I chose to focus on their majestic presence, their creativity, strength, dignity, and resilience,’ she says

People who have been convicted for crimes they didn’t commit speak to the actor for a pressing new series. Plus: meet the trailblazing women producing music

Despite the title, Maxine Peake’s new podcast is not about political solidarity or social unity; instead, it focuses on one of the UK’s most baffling, controversial and destructive laws. Joint enterprise has resulted in many people being imprisoned for serious crimes they didn’t actually commit. Here, Peake speaks to activists, criminal barristers, MPs and those convicted in order to better understand the law’s flaws. Rachel Aroesti
Widely available, all episodes out now

A gripping two-part documentary reveals the events surrounding the killings of Carol and Stephen Baxter. Plus: the downfall of P Diddy. Here’s what to watch this evening

9pm, ITV1
This two-part documentary opens with a petrified 999 call from Ellena Baxter, who was accused of murdering her parents, Carol and Stephen, in 2023. But what starts as a generic true crime tale gives way to a blow-by-blow account of the catfishing and cruelty suffered by the Baxters and their daughter in the years prior. Hannah J Davies

Sydney comedy festival, then touring
The UK comedian’s standup set is both a dishy conversation with a friend and a thrilling rejection of the good mother archetype

One must imagine Sisyphus happy.

So goes the oft-quoted conclusion of Albert Camus’ 1942 treatise The Myth of Sisyphus – comparing all of human existence to an endless struggle.

I Am a Strange Gloop is on in Perth on 2 May before touring across the UK from June

From its cavernous domed bazaar to its ravishingly muscular museum, the Uzbek capital has one of the world’s wildest collections of modernist gems. Will its bid for world heritage status succeed?

A pair of huge turquoise domes swell up on the skyline of Tashkent, the capital of Uzbekistan, perching on the jumbled horizon like two upturned bowls. One gleams with ceramic tiles, glazed in traditional Uzbek patterns. The other catches the light with a pleated canopy of azure metal ribs. Both recall the majestic cupolas that crown the mosques of the country’s ancient Silk Road cities of Samarkand, Khiva and Bukhara. But here, they cover structures of a very different kind.

The ribbed metal dome crowns the home of the state circus, its futuristic-looking big top seeming to have been crossed with a UFO. Built in 1976, it’s big enough to hold an audience of 3,000. The ceramic dome, meanwhile, looms over the bustling chaos of the city’s main market, Chorsu Bazaar, built in 1980 as a wonderworld of fruit, meat and fish, sprawling across an area the size of two football pitches. Both are dazzling works of Soviet modernism, and part of a remarkable group of buildings that the country has just submitted to Unesco, in the hope of having them granted world heritage status .