Barclays Center, New York City

A rescheduled date, after an accident earlier this year, sees the 77-year-old take on sparkling form, regaling fans with tales and fan favourite anthems

Stevie Nicks would like to get the matter of her possible near-death experience out of the way as soon as possible. A few months ago, the Fleetwood Mac singer and rock legend suffered an accident that forced her to postpone a string of tour dates, including this show in Brooklyn which was rescheduled from August to November. “I was airborne,” she recalls of the incident around five minutes after hitting the stage tonight. “I thought: ‘ Is it over?’” A voice at the back of the arena lets out an animalistic yell. “No!!!!”

It’s a safe bet that everyone in the 17,000-capacity Barclays Center arena shares the sentiment. Tonight, a noticeably varied audience of fans has shown out for Nicks’s rescheduled date, ranging from witchcore-styled teens to longtime fans who retain a love for the 70s’ bohemian style as well as the decade’s social consciousness: the venue is sold out of veggie burgers.

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★★★★★ / ★☆☆☆☆
Sadie Coles HQ, London
The two artists, friends, are paired in this joint show that juxtaposes Lucas’s precise and witty sculptures with Hambling’s semi-abstract dollops

Thirty-five years ago the Young British Artists crashed into Britain’s senescent art world and dumped two fried eggs and a kebab on its top table. Or at least that was the myth. Now Sarah Lucas, toughest of the YBAs, is 63, her fried eggs and kebab are art history, and she’s besties with Maggi Hambling, 80, one of the last of the old-school painters. Lucas admires Hambling not just as an artist but a woman, and in Maggi the Maggi, she has created a loving, heroic image of Hambling’s face made entirely of cigarettes. Hambling returns the compliment with Sarah at Work which, like all her paintings here, is a slapdash mess. But it’s hard to pay much attention to Hambling’s daubs when your eyes are full of balloon breasts (by which I mean boobs moulded on party balloons), shiny red bums thrust in the air, floppy phallic ears and spindly pipe cleaner legs wearing shoes Lucas must have bought in bulk from a fetish shop.

In the latest iteration of her Bunny sculptures, laughable yet tragic creatures that render the Playboy Bunny absurdly literal, Sarah Lucas creates orgiastic hilarity and aesthetic mayhem. Limbs, eyes, nipples are everywhere as these poor things pose on concrete chairs in a style you might find in an exclusive sex club, or a male fantasy of some such place. It’s the stuff of the manosphere’s wildest dreams, a lurid monument to hyped-up internet-driven porn. Yet furious feminist satire is just one dimension to Lucas’s extraordinary works.

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As she releases music from her upcoming soundtrack to Wuthering Heights, we count down the best of her frank, futuristic tracks

Such was the extent of fan involvement in the How I’m Feeling Now album that the title of Claws was decided by online vote. The opposite of the album’s more fraught depictions of lockdown, it celebrates being trapped with someone you love, although the clanking rhythm track adds a vague sense of unease.

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The ‘2024 period piece’ stars the Grammy-winning musician with Kylie Jenner, Rachel Sennott and Alexander Skarsgård

Charli xcx ’s 2026 big screen onslaught is set to kick off with The Moment, a mockumentary starring the musician as a self-described “hell version” of herself.

The film, based on an idea by the Grammy winner, is fiction but xcx has called it “the realest depiction of the music industry that I’ve ever seen”.

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An auction in New York today is almost certain to make the celebrated artist a record-breaker. But, overshadowing what could be a $60m sale, are questions about works that have allegedly disappeared

This may well be Frida Kahlo’s biggest year yet. There’s the recent opening of a museum in Mexico City celebrating her life and work. There’s the Art Institute in Chicago exhibiting her work for the first time. And then, in Shenzhen, there’s the show that marked her Chinese debut. All this “Fridamania” tucks in between last year’s big screen documentary Frida and next year’s exhibitions in London and the US.

What’s more, to cap it all, a Sotheby’s auction in New York today is almost certain to make Kahlo a record-breaker. Her 1940 painting The Dream (The Bed) is forecast to fetch between $40-$60m, which would dwarf the previous record for a female artist, set in 2014 by Georgia O’Keeffe’s Jimson Weed/White Flower No 1, which sold for $44.4m .

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Rebecca Lowman narrates a superb, claustrophobia-inducing plunge into a relationship descending from bad to worse

Halfway through Liars, the story of a new relationship that becomes a marriage, our protagonist, Jane, is asked by a neighbour: “Why are you with him?” It’s a question that has been on the listener’s mind for some time.

Jane’s partner, John, lies about his feelings, his financial status, where he is going and where he has been. He is chaotic, lazy, resentful, entitled and given to getting drunk and spending money he hasn’t got. At the start of their marriage, Jane’s career as a writer and academic is on the up, while John – a visual artist and aspiring film-maker – has hit a professional wall. Time and time again, he insists they move cities for better work opportunities, which soon puts a spanner in his wife’s working life. It comes as no surprise that, after their son is born, Jane is left to do the parenting while her husband absents himself from his responsibilities.

Available via Picador, 6hr 7min

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Symphony Hall, Birmingham
Soprano Helena Juntunen brought Sibelius’ vocal works to dramatic life in a remarkable concert that paired the Finnish composer with late Shostakovich

Sibelius and Shostakovich shared a gift for lyric storytelling, lending cohesion to this evening of musical narratives at Symphony Hall, from the frosty myths and legends of Finland to the gnomic utterances of the Soviet composer’s final symphony.

Osmo Vänskä has decades of experience where Sibelius is concerned, so it was unsurprising that these meticulous interpretations felt lived in. What was remarkable, however, was the way the Finnish conductor drew out the groundbreaking qualities in some of the more conventional works. This was particularly apparent in the central movement of the Karelia Suite where the warmth of the City of Birmingham Symphony Orchestra’s strings was underpinned by a folk-inflected harmonic pungency, or in the outer movements where intricate countermelodies that sometimes go unnoticed were revealed.

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Brendan Carr, head of FCC, asks if programme ever aired in US which is seen as key to any future litigation

A US media regulator led by a close ally of Donald Trump is examining whether an edition of the BBC’s Panorama broke US regulations in the way it edited one of the president’s speeches.

The Federal Communications Commission (FCC), led by Brendan Carr, has written to the BBC’s outgoing director general, Tim Davie, asking whether the programme was ever aired in the US.

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Jed Mercurio’s police drama is getting a comeback – which gives it the chance to be TV’s greatest cop show once more. Here’s what it needs to do

Mother of God, fella, they’re back at last. In a rare piece of good news for the beleaguered BBC, blockbuster drama Line of Duty is to return for a long-awaited seventh series. So long-awaited, in fact, that many fans feared it would never happen. Luckily, the police still need policing. Even the fictional Central police force.

The last run of creator Jed Mercurio’s corrupt cop thriller was the top-rated TV drama (excluding soaps) since modern records began in 2002, pulling in an average of 16 million viewers and a whopping 17 million for the finale over 28 days. The show’s three stars will now reprise their roles in a six-part comeback that begins filming in Belfast next spring.

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