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      Shaun Dooley and his son, Jack, look back: ‘He put a lot of effort into being a good dad. He still feels bad about being away on my third birthday’

      news.movim.eu / TheGuardian • 18 May, 2024

    The actor and his son on fun memories, toxic masculinity and Saltburn spoilers

    Born in Barnsley, South Yorkshire, in 1974, Shaun Dooley’s acting career began on soap operas such as Coronation Street and EastEnders. Now a leading actor on film and TV, Shaun has mastered the art of complex characters and had roles in Broadchurch, Doctor Who, It’s a Sin, Black Mirror and as Michael Rudkin in Mr Bates vs the Post Office. He is married with three daughters and a son, Jack, 19, who is a camera trainee and a student at Manchester University. Shaun performs in Jez Butterworth’s The Hills of California at the Harold Pinter theatre until 15 June.

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      Cannes 2024 week one roundup – the jury’s out, the sun isn’t…

      news.movim.eu / TheGuardian • 18 May, 2024 • 1 minute

    The weather didn’t play ball, but Magnus von Horn’s fierce fairytale and Andrea Arnold’s kitchen-sink take on English mysticism should count among the first-week highlights for Greta Gerwig’s jury

    The Cannes film festival opens just as the heavens do, too. It’s raining on the red carpet and on the black limousines and on the immaculate white pavilions that line up on the beach. The rain falls on the A-listers as they climb the stairs to the Palais, and on the stoic huddled masses who gather behind the police cordons. Everybody’s bedraggled and windswept; it feels as though the whole town’s been at sea. “My main wish is that we see some great films this year,” says Iris Knobloch, the festival’s president, casting an anxious eye at the sky. “But also I’m wishing for a little sunshine as well.”

    If it’s raining in Cannes, it means there’s a glitch in the script. It’s one of the event’s in-built paradoxes that a festival which predominantly plays out in darkened rooms should be so dependent on good weather; so in thrall to its complementary circus of photocalls, yacht parties and open-air film screenings. All it takes is a downpour to trigger a disturbance in the force, a creeping sense of existential dread. The punters came expecting Technicolor. But the scene is all wrong: the world has gone monochrome.

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      The inside scoop: a giant serving of the UK’s best summer arts and entertainment

      news.movim.eu / TheGuardian • 18 May, 2024

    From female art trailblazers to playful performance fests, a ridiculous funk wannabe to a clubby Argentinian dance spectacular, our critics pick the arts events that will light up your summer

    National Treasures
    Twelve museums across the UK, closing dates vary
    Turner’s The Fighting Temeraire visits Tyneside, Artemisia Gentileschi shows at the Ikon in Birmingham and Caravaggio goes to Belfast in this epic tour of paintings from the National Gallery. The revered London museum has collected art for the nation since 1824 and this celebration sees its masterpieces more widely spread than ever. Jonathan Jones

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      Girls Aloud review – a glorious pop institution still calling the shots

      news.movim.eu / TheGuardian • 18 May, 2024

    3Arena, Dublin
    Returning for their first concert since the death of Sarah Harding, old lyrics now have new poignancy – but with motorbikes and mic-stand moves, the mood stays upbeat

    Eleven years have passed since Girls Aloud performed together as a five-piece for the final time, but adoration has endured in the interim – perhaps even intensified in the glow of 00s nostalgia. The group not only hauled themselves out of TV talent show Popstars: the Rivals, but then had 20 back-to-back UK Top 10 hits, four of them chart-toppers. As well as the strength of their voices, and their bubbly and even occasionally lairy personalities, their acclaim came from collaborations with Xenomania , the production team who took 60s girl group tropes and kitsch, and warped them through 21st-century sonics.

    One of the quintet, the effervescent Sarah Harding, died of complications from breast cancer in September 2021, at the age of 39. Devastated by the death of their bandmate and friend, plans to mark Girls Aloud’s 20th anniversary were paused.

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      ‘I hope people wonder what the man is doing’: Carla Vermeend’s best phone picture

      news.movim.eu / TheGuardian • 18 May, 2024

    The photographer and her husband came across an abandoned boat while out walking and took the opportunity to float a surreal idea

    Every September, Carla Vermeend and her husband go on holiday to Terschelling island, in the Netherlands.

    “It has lots of nature, right in the middle of the Wadden Sea, which is listed by Unesco as a world heritage site,” says Vermeend, a Dutch photographer. During their visit in 2014, the couple were walking by the sea together.

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      Lil Nas X: ‘Who do I most admire and why? I have to say myself’

      news.movim.eu / TheGuardian • 18 May, 2024

    The singer on eating junk food in bed, a $100k holiday he didn’t even go on, and the perks of fame

    Born Montero Lamar Hill in Georgia, Lil Nas X, 25, rose to fame in 2019 with his single Old Town Road, which won many awards, including two Grammys. In 2021, he released his debut album Montero, which featured the hits Montero (Call Me By Your Name), Industry Baby and Thats What I Want. The following year, he completed his first worldwide tour. The documentary Lil Nas X: Long Live Montero – directed by Carlos López Estrada and Zac Manuel and released on digital platforms on 20 May – sees him navigating issues of identity, family and acceptance as he embarks on the tour. He lives in Los Angeles.

    When were you happiest?
    Maybe on tour when I was in Argentina. Yeah, or Brazil: oh my God, those people out there.

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      Books for a better world: as chosen by Lenny Henry, Geri Halliwell-Horner, Andrew O’Hagan and others

      news.movim.eu / TheGuardian • 18 May, 2024

    Game-changing books that offer hope, as recommended by speakers at this year’s Hay festival, including Theresa May, Tom Holland, Helen Garner and Jon Ronson

    chosen by Lenny Henry , actor and comedian

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      Rumbles by Elsa Richardson review – gut reaction

      news.movim.eu / TheGuardian • 18 May, 2024 • 3 minutes

    A vivid cultural of digestion, from ancient Greece to All-Bran

    Some people, observed Samuel Johnson, “have a foolish way of not minding, or pretending not to mind, what they eat. For my part, I mind my belly very studiously, and very carefully; for I look upon it, that he who does not mind his belly, will hardly mind anything else.” And while we are minding our belly, our belly minds us: so, at least, we are encouraged to think by modern hymns to the wisdom of the enteric nervous system and the gut microbiome, to which all manner of marvels are increasingly attributed.

    Here, then, is a book-length exercise in minding the belly: a vivid cultural history of changing metaphorical, political and scientific visions of our guts. The stomach is a-flutter when we are in love, and the way to a man’s heart is through his stomach, though not for laparoscopic surgeons. (That phrase was apparently coined by the 19th-century American journalist Fanny Fern.) But our guts are also cerebral: the Greek physician Galen first observed that the stomach seemed to possess its own kind of intelligence, and to trust your gut is to tune into a more reliable source of truth. Donald Trump is here marvellously quoted as insisting that his gut can tell him more than other people’s brains can.

    The author, a health historian, displays a touch of that academic tic whereby a book constantly narrates that it has just talked about something and is going to talk about something else next, but she is an engaging writer and adeptly traces a network of fascinating changes in ruling metaphors. “Today we speak in ecological terms – adverts for probiotics encourage us to nurture the microbial garden within – but in early modern Europe the stomach was imagined as being more alike to the bustling kitchen of a great country house, while 18th-century physicians fussed over it as a nervously afflicted invalid and through the Victorian period it was frequently condemned as an irascible foe, an enemy within implacably opposed to its owner’s comfort.”

    In the long-running fable of the body politic, meanwhile, the digestive system has been two opposed things in series: first, an unruly populace to be kept in its place by a wise head; then the site of authentic proletarian value. The 20th-century American philosopher Stanley Cavell, discussing such metaphors in Shakespeare’s Coriolanus, concluded splendidly: “No one is in a position to say what the right expression is of our knowledge that we are strung out on both sides of a belly.”

    For some, our ungovernable guts have always stood in the way of progress and humanity’s perfection, both technological and spiritual. The 17th-century hermit Roger Crab became famous for his ascetic diet of “herbes and roots”: only vegetarianism could lead to godliness. A prominent Victorian doctor, meanwhile, denounced the stomach as a “strangely wicked and ungrateful” organ that was “implacably opposed to man’s progress and comfort”. In the early 20th century, vivisectionists discovered new facts about the machinery of digestion by means of horrific experiments on living dogs in packed lecture theatres, and suffragists on hunger strike were force-fed by violence.

    Women in particular, Richardson shows, have long been the focus of worries about digestion. Many accusations of witchcraft in the early modern period centred on allegations that women had spoiled food or milk; centuries later, constipation became coded as a particularly female complaint, to be cured by such quasi-medicinal products as Bile Beans (an Australian laxative introduced in 1899, to keep female customers “healthy, happy & slim”) and Kellogg’s cereals, which according to one 1930 advert for All-Bran would preserve a woman’s “bloom of youth” by keeping her regular. Contrariwise, to “have guts” in the sense of being tough is primarily thought of as a male virtue, while “intestinal fortitude” (coined by an American doctor after watching a football game in 1914) came to describe the warfighting capability of a nation’s men.

    Now, however, our guts are peaceful: the alimentary system has been colonised anew by the wellness-industrial complex, with its probiotics and experimental faecal transplants. Dr Johnson might be tickled to learn that to mind one’s belly has become a cornerstone of mindfulness.

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