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      The Running Man to David Hockney: your complete entertainment guide to the week ahead

      news.movim.eu / TheGuardian • 15 November

    Stephen King’s dystopian novel gets an Edgar Wright reboot with Glen Powell, while the prolific British master is back with new paintings

    The Running Man
    Out now
    Edgar Wright directs this reimagining of the 1987 sci-fi cult classic based on Stephen King’s 1982 novel, which envisioned a fictional America of 2025 sliding into totalitarianism. Glen Powell stars as the contestant attempting to survive a deadly televised game.

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      Loop review – this warped tale of sexual fantasies could be wilder

      news.movim.eu / TheGuardian • 15 November

    Theatre503, London
    A young woman loses her grip on reality in writer-performer Tanya-Loretta Dee’s unsettling monologue

    At what point does infatuation tip over into something darker and more destructive? There’s actually a term for it – limerence – and this is the unsettling undercurrent of Tanya-Loretta Dee’s promising debut monologue, in which she also stars. There are very interesting ideas at play here, particularly to do with the fine line between sexual desire and something much wilder, more animalistic and untameable. But the production needs more fire and intensity. It unfolds at a slight distance and never quite pulls us deep inside this young woman’s fevered breakdown.

    The story revolves around Bex, who works in a Peckham party shop by day and has an awful lot of sexual fantasies by night. Into Bex’s life walks James. With his middle-class wardrobe and middle-of-the-road job, James is from a different world. At first, he is Bex’s fantasy prince. But as their relationship fractures and warps, Bex’s fantasies turn in on her, separating her from real life and the people who care about her.

    At Theatre503, London , until 29 November

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      ‘I’m not as fierce as I seem’: Glenn Close on growing up in a cult, marching against Trump – and being unlucky in love

      news.movim.eu / TheGuardian • 15 November • 1 minute

    She’s Hollywood’s biggest character actor who terrified a generation of men with her ‘bunny boiling’ turn in Fatal Attraction. Now, Close alternates the glamour of the red carpet with living in a red state. She talks about the joy of her ‘undefined’ life

    Most of us don’t live our lives in accordance with a governing metaphor, but Glenn Close does. The 78-year-old was born in Greenwich, Connecticut, a town in the north‑east of the US that, to the actor’s enduring irritation, telegraphs “smug affluence” to other Americans. In fact, Close’s background is more complicated than that, rooted in a childhood that was wild and free but also traumatic, and in an area of New England in which her family goes back generations. “I grew up on those great stone walls of New England,” says the actor, chin out, gimlet-eyed – Queen Christina at the prow of a ship. “Some of them were 6ft tall and 250 years old! I have a book called Sermons in Stone and it says at one point that more energy and hours ran into building the New England stone walls than the pyramids.”

    If the walls are an image Close draws on for strength, they might also serve as shorthand for the journalist encountering her at interview. Close appears in a London hotel suite today in a military-style black suit, trim, compact, and with a small white dog propped up on a chair beside her. For the span of our conversation, the actor’s warmth and friendliness combine with a reserve so practised and precise that the presence of the dog in the room feels, unfairly perhaps, like a handy way for Close to burn through a few minutes of the interview with some harmless guff about dog breeds. (The dog is called Pip, which is short for “Sir Pippin of Beanfield”. He is a purebred Havanese and “they’re incredibly intelligent”. Most dog owners in the US have the emotional support paperwork necessary to get them on a plane but, says Close, laughing, “That’s really what he is!”)

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      From Hollywood to holy water: Pope Leo invites stars to the Vatican

      news.movim.eu / TheGuardian • 15 November

    Observers say that welcoming of guests including Cate Blanchett, Monica Bellucci and Spike Lee is a move to raise pontiff’s profile

    A host of Hollywood celebrities will meet Pope Leo on Saturday, a gathering Vatican observers say is aimed at giving some star power to the pontiff, who is the first US pope in the history of the Catholic church.

    Cate Blanchett, Monica Bellucci, Chris Pine and Adam Scott are among the actors who will join a special audience with Leo at his Apostolic Palace residence, along with the Oscar-winning directors Spike Lee, George Miller and Gus Van Sant.

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      The week around the world in 20 pictures

      news.movim.eu / TheGuardian • 14 November

    The Cop30 climate summit, blackouts in Kyiv, immigration raids in Chicago and super-typhoon Fung-wong: the past seven days as captured by the world’s leading photojournalists

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      Man who stole Banksy print to pay off drug debt given 13-month sentence

      news.movim.eu / TheGuardian • 14 November

    Larry Fraser, 49, burgled Grove gallery in London, stealing limited edition print of Girl With Balloon series

    A man who stole a Banksy print from an art gallery to pay off a historic drug debt has been given a 13-month prison sentence.

    Larry Fraser, 49, stole the limited edition print belonging to the street artist’s Girl With Balloon series after breaking into the Grove gallery in Fitzrovia, central London, last September.

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      The Guardian view on the Booker prize winner: putting masculinity back at the centre of literary fiction | Editorial

      news.movim.eu / TheGuardian • 14 November

    David Szalay’s Flesh breaks from a decade of female-centred interiors and reopens a genre many thought closed to men

    Novels of female interiority have dominated literary fiction for nearly a decade. Writers such as Sally Rooney and Ottessa Moshfegh captured the inner lives of young women in a way that felt almost shockingly fresh and real, and chimed with the #MeToo moment. Similar stories about young men have become hard to find.

    This week an unapologetic portrait of masculinity won the Booker prize. Flesh , by the British-Hungarian novelist David Szalay , follows the rise and fall of a working-class Hungarian immigrant called István from the late 1980s to the present day. We mainly see István in acts of casual sex or violence. He eats, he smokes. He says “Okay” and “yeah” over and over again. The novel is an exercise in radical exteriority: we do not know what István looks like, thinks or feels, and often he doesn’t either. This is the realist novel pared down to the bone.

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      The Guide #217: The Louvre heist seems straight out of a screenplay – no wonder on-screen capers have us gripped

      news.movim.eu / TheGuardian • 14 November

    In this week’s newsletter: From the drama of the Paris break-in to Josh O’Connor’s mud-splattered turn in Kelly Reichardt’s latest, escapades – messy and cinematic – always seem to pull us in

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    It was like something out of a movie. On the morning of 19 October, news broke of a heist at the Louvre in Paris: four thieves, disguised as construction workers, had made off with eight “priceless” pieces of French crown jewels from the 19th century. They also took a crown that once belonged to Empress Eugénie, wife of Napoleon III, but for some reason dropped it outside the museum. The haul has since been valued by a prosecutor at around €88m.

    The details of the case are astonishing, from the robbery itself – the thieves arrived in broad daylight, using a truck with a mechanical ladder to access the targeted gallery’s window, which they cut through with power tools – to subsequent revelations about the museum’s security measures. Reportedly, the password for its CCTV servers was “Louvre”, the source of much mirth since.

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      www.theguardian.com /culture/2025/nov/14/the-louvre-heist-seems-straight-out-of-a-screenplay-no-wonder-on-screen-capers-have-us-gripped

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      Man who grabbed Ariana Grande at Wicked sequel premiere charged

      news.movim.eu / TheGuardian • 14 November

    Footage shows the man jumping the red carpet barricade of the Singapore premiere of Wicked: For Good, then rushing towards and embracing the star

    A court in Singapore has charged a man who grabbed Ariana Grande at a premiere of Wicked: For Good on Thursday night with being a public nuisance.

    Video footage shows Johnson Wen jumping over a barricade at Universal Studios Singapore and rushing at Grande on the red carpet. Grande’s co-star Cynthia Erivo immediately jumped in to help protect her and Wen was moved away.

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