Philip Barantini’s single-take special follows the star mooching around Manhattan, guitar ever ready for ad hoc turns, ahead of his evening show

Ed Sheeran floats through New York on a cloud of his own sunny high spirits in this hour-long Netflix special. He is the Candide of the music business, smiling benignly, strumming and singing, seamlessly pausing for selfies and fist-bumps and high-fives; he almost visibly absorbs energy from the saucer-eyed fan-worship shown by gobsmacked passersby and radiates it back at them.

Maybe you have to be a Sheeran fan to really appreciate it, but this is another single-take bravura special from film-maker Philip Barantini (who directed Netflix’s searing single-take drama Adolescence ) and his director of photography Nyk Allen. With no cuts (though there’s an allowable fast-forward bit, and the audio might have been tweaked in post-production) they follow the unselfconscious Ed as he completes a late-afternoon soundcheck at the New York theatre where he’s playing a concert later on, and then for the next hour, and with fans pretty much always swarming around him, he wanders through the city with his guitar for various encounters, some planned, some (supposedly) not.

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There are shades of Gossip Girl, Desperate Housewives and everything Nicole Kidman has appeared in for the last five years. Put your brain aside, and enjoy

That its ultra-wealthy characters live in a place called Richford Lake tells you almost everything you need to know about the glossy new thriller Wild Cherry. Yes, it’s another entry in the increasingly popular eat-the-rich genre. Yes, it has shades of The White Lotus and everything starring Nicole Kidman for the past five years. Yes, most of the budget has gone to wardrobe, with any woman over the age of 30 apparently allergic to synthetic fibres and every actor seemingly cast primarily for her ability to carry off swagged silk and cashmere in warm beige tones. Yes, you should have bought shares in the colour camel years ago but it’s too late now. Yes, the insular community and soapy vibe suggests an ancestry that includes Desperate Housewives and Gossip Girl. Yes, in short, it’s trash with pretensions. But trash with pretensions is as fun a way to spend the long winter evenings as any, so why not set your brain aside and enjoy it?

We begin with the obligatory the-future-as-prelude scene, which here involves four women – two older, two younger – standing in a well-appointed bathroom in their underwear scrubbing blood off their hands. We then flashback to begin the six-part journey to finding out what the jolly heck is going on.

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The American British author on pet peeves, the perils of fantasy dinner parties, and revisiting The Short History of Everything two decades later

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You did a whole book on Australia , and have travelled here a bit since – what’s the number one tip or recommendation you’d give someone coming for the first time?

Get out and walk! I mean, maybe not through the outback, but if you’re in any of the cities, walk. I do that wherever I go. And I love to just go off and explore without knowing where I’m going, without a map or any preconceived ideas. I think it’s the best way to discover a place, and it has the great virtue that if you turn a corner – say in Sydney – and there’s suddenly the Harbour Bridge, you feel as if you’ve discovered it. There’s a real feeling of exhilaration, I think, in that. But also, you discover little cafes and hidden corners and odds and ends.

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A Short History of Nearly Everything 2.0 by Bill Bryson is out now through Penguin. The author is touring Australia and New Zealand in February 2026 with the live show The Best of Bill Bryson

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Influential musician who created Americana hits had recently been hospitalized with pneumonia

Todd Snider, the influential alt-country singer-songwriter who created Americana hits such as Alright Guy, has died at 59.

His passing was shared through announcements on his official social media accounts. Although no cause of death was provided, his family shared on Friday that he had recently been hospitalized with pneumonia.

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With the annual Blackpool special in sight, tonight the couples shake their thing to the likes of Lily Allen and Barbra Streisand. But whose performance will make viewers smile? And whose parade will get rained on?

Should Albert Square hang out the “welcome home” banner? Once again, EastEnders actor Balvinder Sopal is the bookies’ odds-on tip for elimination this weekend – as she has been for about a month now – followed by her fellow dance-off survivor La Voix .

Can this resilient duo defy the odds again? Half an hour until we get our first choreographic clues…

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In January the island’s beaches were inundated with waves of plastic pollution, a phenomenon that has been getting worse by the year. Photographer and film-maker Sean Gallagher travelled to Bali to document the increasing tide of rubbish washing up on beaches and riverbanks, and the people facing the monumental challenge of cleaning up. His portraits are on show now as part of the 2025 Head On photo festival at Bondi Beach promenade until 30 November

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As she prepares to release No Lube So Rude, her first album in a decade, the Canadian dance-punk icon will answer your questions

Whether crowdsurfing inside a giant condom or singing alongside a vulva-headed dancer, Peaches has left us with some indelible on-stage images over the years – and there are set to be a few new ones as she goes on tour and releases her first album in a decade. As she does so, she’ll join us to answer your questions.

Peaches, AKA Merrill Nisker, emerged from Toronto’s underground scene in the late 1990s – her peers included Feist, her flatmate above a sex shop – but really came to fame in the early 00s after she moved to Berlin. Her debut EP, Lovertits, was a cherished item on the era’s electroclash scene but it was the a joyous, profane dance-punk track Fuck the Pain Away, from her debut album The Teaches of Peaches, that really took her into the mainstream.

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Official Trump social media accounts have been The Life of a Showgirl snippets to promote his agenda. Why has Swift, who once wanted ‘to be on the right side of history’, said nothing?

In the last two weeks, the Trump administration has used music from Taylor Swift’s latest album, The Life of a Showgirl, in three posts on social media. The first , shared by the official White House account on TikTok, was a patriotic slide show of images set to lead single The Fate of Ophelia. As Swift sings “pledge allegiance to your hands, your team, your vibes”, the video cuts to pictures of the US flag, President Trump, the vice-president, JD Vance, and the first and second ladies. The second and third were posted by Team Trump, the official account for the Trump Campaign. One , set to Father Figure, riffs on the lyric “this empire belongs to me” with the caption “this empire belongs to @President Donald J Trump”, while the other , celebrating Melania Trump winning something called the Patriot of the year award, is soundtracked by Opalite.

The Trump administration has found itself in dicey waters for using popular music in the past. The White Stripes and the estate of Isaac Hayes have both attempted to sue the administration for using their music without permission, while artists including Celine Dion, Beyoncé, Rihanna, Abba and Foo Fighters have released statements demanding Trump stop using their songs at campaign rallies and public appearances. Most recently, Olivia Rodrigo condemned the administration after the official Department of Homeland Security and White House Instagram account used her song All-American Bitch on a video promoting its controversial deportation efforts (the song was later removed by Instagram).

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Initially drawn by the distinctive architecture, the Brazilian photographer struck lucky on a morning run in Cuba

As a marathon runner and amateur photographer, Demétrio Jereissati has taken to the streets of his home town of Fortaleza, Brazil almost daily for the past two decades. “Each morning I head out early for a run – observing and storing the city in my memory,” Jereissati says. “Every day reveals new angles and unexpected scenes. For me, these early hours are an exercise in truly seeing.”

When he took this image, in 2019, he was visiting Havana, Cuba, with friends. He headed out alone at 6am to run and as he approached the waterfront Malecón promenade, the rising sun cast a glow on the city below, and this building caught his eye. “I was drawn by the distinctive architectural lines and windows, and its condition,” he notes. “All these old, majestic buildings framed people beginning to fill the streets, and classic cars cruising back and forth.”

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