Band’s ‘on the edge of kitsch’ aesthetic is still relevant three decades later as young people focus on vintage clothing

Thirty years ago this month Pulp played the Pyramid stage at Glastonbury and took their reputation to another level. If part of this was due to a storming set taking in their new hit Common People, debuts for their future hits Mis-Shapes and Disco 2000, and the star power of singer Jarvis Cocker, it was also down to their look.

There was Steve Mackay, bass guitarist, in a fitted shirt and kipper tie, Russell Senior on violin in a blue safari shirt, keyboardist Candida Doyle in sequins and – of course – Cocker, in his now signature secondhand 70s tailoring.

Continue reading...

The artist and author’s hit book had so much in common with her own life that even her friends forgot it wasn’t real. How did this revolutionary portrayal of midlife desire come to inspire a generation of women?

When Miranda July’s All Fours was published in May last year, it triggered what felt like both a spontaneous resistance movement and the sort of mania last experienced when the final Twilight book dropped, except this time for women in midlife rather than teenage girls. Two friends separately brought it to my house, like contraband dropped out of a biplane. Book groups hastily convened, strategically timed for when the men were out of the picture.

The story opens with a 45-year-old woman about to take a road trip, a break from her husband and child and general domestic noise. She’s intending to drive from LA to New York, but is derailed in the first half hour by a young guy, Davey, in a car hire place, to whom she is passionately attracted. The next several weeks pass in a lust so intense, so overpowering, so lusciously drawn, it’s like a cross between ayahuasca and encephalitis. The narrator is subsumed by her obsession, and disappears her normal life. The road trip is a bust from the start, but the effort of breaking the spell and going home looks, for a long time, like way too much for the narrator, and when she finally does, to borrow from Leonard Cohen (perhaps describing a similar situation), she’s somebody’s mother but nobody’s wife.

Continue reading...

The mob character’s survival was dependent on her achieving a standard of femininity – and as a trans woman, I empathise. When her body fell short, her protection disappeared

I have never been excited about fancy dress, but when I received the invitation to a Sopranos-themed party a couple of months ago, I knew immediately who I wanted to go as: Adriana La Cerva. As a transgender woman, I empathised deeply with Adriana. I loved her wit, naivety, garish glamour and scandalous moments – the same reason I admire so many of the women in my trans community. Just look to Hunter Schafer or Alex Consani if you want a masterclass in all the above.

Some of Adriana’s one-liners – “If you think I’m gonna blow this guy for your sick purposes, you are sadly mistaken” – contain the sort of lewd, campy bravado of a ballroom queen. This is not the aspiration of gender transition, of course. But it does approximate to some of the ways trans women respond to their exclusion by a culture that expects women to be respectable, polite and discreet about their sexualities.

Continue reading...

After a ‘quiet little break’ of 20 years, the band is back to celebrate their 2000 debut Reflector – then the fastest-selling Australian album in history

• Get our weekend culture and lifestyle email

In 2022, Ella and Jesse Hooper, siblings and bandmates in Australian rock band Killing Heidi, lost both of their parents in the space of two weeks. Their father, Jeremy, died first after a shock cancer diagnosis and a quick decline; a fortnight later, their mother, Helen, passed away after a long struggle with breast cancer.

The grieving siblings took the weekend off, then went straight back out on to the road.

Continue reading...

Jai Courtney eats up his role as the crazed captain of a tourist boat – but he can’t quite wrestle this creature feature from its straitjacket

• Get our weekend culture and lifestyle email

For a long time, serial killer and shark movies were separate forms of cinema; never the twain did meet. In Dangerous Animals they’ve been blended into one foul fishy stew, theoretically delivering the best of both worlds: a Wolf Creekian adventure with a creature feature twist. But, sadly, this collision of genres hasn’t resulted in any real freshness or flair, playing out with a stinky waft of the familiar.

Jai Courtney gets the meatiest and most entertaining role as Tucker, the owner of a Gold Coast business that ferries thrill-seekers out into shark-infested waters, where they observe the great beasts from inside an underwater cage. After they’re hauled back on to the boat, Tucker kills them and feeds them to the sharks, while filming their grisly deaths on a camcorder for his personal collection of VHS snuff films.

Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning

Continue reading...

The Story of a Heart, which won this year’s award for nonfiction, tells how one child saved the life of another. The author talks about the amazing families involved, campaigning for a better NHS, and how being a doctor frames the way she writes

To read Rachel Clarke’s The Story of a Heart, which has won this year’s Women’s prize for nonfiction, is to experience an onslaught of often competing emotions. There is awed disbelief at the sheer skill and dedication of the medical teams who transplanted the heart of nine-year-old Keira, who had been killed in a head-on traffic collision, into the body of Max, a little boy facing almost certain death from rapidly deteriorating dilated cardiomyopathy. There is vast admiration for the inexhaustible compassion of the teams who cared for both children and their families, and wonder at the cascade of medical advances, each breakthrough representing determination, inspiration, rigorous work, and careful navigation of newly emerging ethical territory. And most flooring of all is the immense courage of two families, one devastated by the sudden loss of a precious child, the other faced with a diagnosis that threatened to tear their lives apart.

To write such a story requires special preparation. “I was full of trepidation when I first approached Keira’s family,” Clarke tells me the morning after she was awarded the prize. “I knew that I was asking them to entrust me with the most precious thing, their beloved daughter Keira’s story, her memory.” The former journalist trained as a doctor in her late 20s, and has spent most of her medical career working in palliative care. Subsequently, she has also become an acclaimed writer and committed campaigner, publishing three memoirs: Your Life in My Hands, Dear Life and Breathtaking . She turned to her medical training for guidance when writing The Story of a Heart. “I said to myself, my framework will be my medical framework, so I would conduct myself in such a way that they would, I hoped, trust me in the same way that someone might trust me as a doctor. And if at any point they changed their mind, then they could walk away from the project.”

Continue reading...

The hugely popular reality competition series has led to a string of similarly devious yet undeniably lesser copycats

This is a punt, but Fox might have started to commission new shows via the power of online thesauruses. Take its new reality show The Snake. It’s a game of secrets and betrayal, of feigning one emotion to gain trust while you stab your new friends in the back. In other words, it’s basically The Traitors.

I don’t know whether any of you have ever searched Merriam Webster for synonyms of ‘traitor’, but ‘snake’ is literally second on the list . And this laziness is indicative of the show itself, which is such a painfully halfhearted retread of The Traitors that it ends up being exhausting to watch.

Continue reading...

The winner of this year’s fiction prize on growing up as an outsider, why we’re all guilty of complicity, and using her acceptance speech to reveal that she is intersex

It has been a dramatic couple of years for 37-year-old Dutch author Yael van der Wouden: her first novel, The Safekeep, a love story that deals with the legacy of the Holocaust in the Netherlands, was the focus of a frenzied bidding war and shortlisted for the 2024 Booker prize. Last night it won the Women’s prize for fiction.

“I wrote this book from a place of hopelessness,” she says when we meet. “I was looking for a ray of sunshine.” This morning in London the sun is blazing. She could never have expected that her novel would see off shortlisted authors including Miranda July (of whose work she is a big fan) and Elizabeth Strout.

Continue reading...

Sheffield band were last at the top with This Is Hardcore, while Sabrina Carpenter is at No 1 in the singles chart and breaks an album chart record

Pulp have topped the UK album chart for the first time since 1998, with the release of their new album More.

The Sheffield band, fronted by Jarvis Cocker, were last at the top with 1998’s This Is Hardcore, the follow-up to the similarly chart-topping Different Class in 1995.

Continue reading...