After a ‘quiet little break’ of 20 years, the band is back to celebrate their 2000 debut Reflector – then the fastest-selling Australian album in history

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In 2022, Ella and Jesse Hooper, siblings and bandmates in Australian rock band Killing Heidi, lost both of their parents in the space of two weeks. Their father, Jeremy, died first after a shock cancer diagnosis and a quick decline; a fortnight later, their mother, Helen, passed away after a long struggle with breast cancer.

The grieving siblings took the weekend off, then went straight back out on to the road.

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Jai Courtney eats up his role as the crazed captain of a tourist boat – but he can’t quite wrestle this creature feature from its straitjacket

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For a long time, serial killer and shark movies were separate forms of cinema; never the twain did meet. In Dangerous Animals they’ve been blended into one foul fishy stew, theoretically delivering the best of both worlds: a Wolf Creekian adventure with a creature feature twist. But, sadly, this collision of genres hasn’t resulted in any real freshness or flair, playing out with a stinky waft of the familiar.

Jai Courtney gets the meatiest and most entertaining role as Tucker, the owner of a Gold Coast business that ferries thrill-seekers out into shark-infested waters, where they observe the great beasts from inside an underwater cage. After they’re hauled back on to the boat, Tucker kills them and feeds them to the sharks, while filming their grisly deaths on a camcorder for his personal collection of VHS snuff films.

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The Story of a Heart, which won this year’s award for nonfiction, tells how one child saved the life of another. The author talks about the amazing families involved, campaigning for a better NHS, and how being a doctor frames the way she writes

To read Rachel Clarke’s The Story of a Heart, which has won this year’s Women’s prize for nonfiction, is to experience an onslaught of often competing emotions. There is awed disbelief at the sheer skill and dedication of the medical teams who transplanted the heart of nine-year-old Keira, who had been killed in a head-on traffic collision, into the body of Max, a little boy facing almost certain death from rapidly deteriorating dilated cardiomyopathy. There is vast admiration for the inexhaustible compassion of the teams who cared for both children and their families, and wonder at the cascade of medical advances, each breakthrough representing determination, inspiration, rigorous work, and careful navigation of newly emerging ethical territory. And most flooring of all is the immense courage of two families, one devastated by the sudden loss of a precious child, the other faced with a diagnosis that threatened to tear their lives apart.

To write such a story requires special preparation. “I was full of trepidation when I first approached Keira’s family,” Clarke tells me the morning after she was awarded the prize. “I knew that I was asking them to entrust me with the most precious thing, their beloved daughter Keira’s story, her memory.” The former journalist trained as a doctor in her late 20s, and has spent most of her medical career working in palliative care. Subsequently, she has also become an acclaimed writer and committed campaigner, publishing three memoirs: Your Life in My Hands, Dear Life and Breathtaking . She turned to her medical training for guidance when writing The Story of a Heart. “I said to myself, my framework will be my medical framework, so I would conduct myself in such a way that they would, I hoped, trust me in the same way that someone might trust me as a doctor. And if at any point they changed their mind, then they could walk away from the project.”

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The hugely popular reality competition series has led to a string of similarly devious yet undeniably lesser copycats

This is a punt, but Fox might have started to commission new shows via the power of online thesauruses. Take its new reality show The Snake. It’s a game of secrets and betrayal, of feigning one emotion to gain trust while you stab your new friends in the back. In other words, it’s basically The Traitors.

I don’t know whether any of you have ever searched Merriam Webster for synonyms of ‘traitor’, but ‘snake’ is literally second on the list . And this laziness is indicative of the show itself, which is such a painfully halfhearted retread of The Traitors that it ends up being exhausting to watch.

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The winner of this year’s fiction prize on growing up as an outsider, why we’re all guilty of complicity, and using her acceptance speech to reveal that she is intersex

It has been a dramatic couple of years for 37-year-old Dutch author Yael van der Wouden: her first novel, The Safekeep, a love story that deals with the legacy of the Holocaust in the Netherlands, was the focus of a frenzied bidding war and shortlisted for the 2024 Booker prize. Last night it won the Women’s prize for fiction.

“I wrote this book from a place of hopelessness,” she says when we meet. “I was looking for a ray of sunshine.” This morning in London the sun is blazing. She could never have expected that her novel would see off shortlisted authors including Miranda July (of whose work she is a big fan) and Elizabeth Strout.

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Sheffield band were last at the top with This Is Hardcore, while Sabrina Carpenter is at No 1 in the singles chart and breaks an album chart record

Pulp have topped the UK album chart for the first time since 1998, with the release of their new album More.

The Sheffield band, fronted by Jarvis Cocker, were last at the top with 1998’s This Is Hardcore, the follow-up to the similarly chart-topping Different Class in 1995.

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Exclusive: Pass to be presented to playwright’s grandson after original cancelled over conviction for gross indecency

The British Library is to symbolically reinstate Oscar Wilde’s reader pass, 130 years after its trustees cancelled it following his conviction for gross indecency.

A contemporary pass bearing the name of the Irish author and playwright will be officially presented to his grandson, Merlin Holland, at an event in October, it will be announced on Sunday.

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They were impossibly glamorous, fatally flawed and turned up at every significant moment of the 20th century, but underneath it all is a highly relatable family drama – without the infamous friends

The rise and fall of the Mitford sisters is like one of those earthquakes we’re due on a regular rotation: eight years out from Gucci’s much-documented Never Marry a Mitford jumper, four years after the BBC drama The Pursuit of Love, a new TV show appears fortuitously to bring them back into the public consciousness again.

Here they come, out of the mists of time, the seven children of a minor member of the House of Lords: Nancy, of course, the author of Love in a Cold Climate and The Pursuit of Love and probably the most famous in her own right; followed by Pamela, the least famous and fond chiefly of chickens and horrible men; then Tom, the only boy, with a weakness for the Nazis and, as far as history is concerned, no personality.

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In this week’s newsletter: Happy 20th birthday to the forum that reshaped fandom and is one of the internet’s most eccentric collaborative spaces

It only ended a few years ago, but Westworld already feels a bit of a TV footnote. A pricey mid-2010s remake of a 70s Yul Brynner movie few people remembered, HBO’s robot cowboy drama lumbered on for four lukewarm seasons before getting cancelled – with few people really noticing.

Still, when it premiered, Westworld was big news. Here was a show well-placed to do a Game of Thrones, only for sci-fi. Its high production values were married to an eye-catching cast (Evan Rachel Wood, Ed Harris, Thandiwe Newton, Jeffrey Wright) and it was run by the crack team of Lisa Joy and Jonathan Nolan, who promised they had a playbook for how the whole show would shake out. This, of course, was an important promise in that immediate post-Lost period, where everyone was terrified that they would be strung along by a show that was “making it up as they went along” (as a Lost defender, I have to say at this point that they weren’t “making it up as they went along”, but that’s an argument for another newsletter).

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