One Day author leading writing team bringing one of the best-known literary creations of the 1980s to life

A writing team led by the One Day author, David Nicholls, and that includes Caitlin Moran is bringing Sue Townsend’s The Secret Diary of Adrian Mole Aged 13¾ to the small screen in a 10-part BBC One adaptation of the classic tale of teenage life in British suburbia.

Nicholls, who described the book as “a classic piece of comic writing and an incredible piece of ventriloquism on Sue Townsend’s part”, will adapt the book that produced one of the best-known literary creations of the 1980s.

Helen Fielding and Renée Zellweger gather in Leicester Square as a new bronze marks 30 years of the diary-writing everywoman who redefined the romcom heroine

Bridget Jones, Britain’s best-loved and most hapless romcom heroine, stands in a creased miniskirt and gaping cardie in the centre of London, clutching her diary and a pen. Alcohol units: 0, cigarettes: 0, calories: 0, weight: 31 stone – and, according to the actor Sally Phillips, “no intention of losing any of it”.

Phillips was in Leicester Square on Monday morning to unveil a life-size bronze of the comedy character, alongside Helen Fielding – who first cooked her up in a newspaper column 30 years ago, and whose novels have now been translated into more than 40 languages – and Renée Zellweger, star of the four Bridget Jones films (with a combined box office of $900m (£683m)).

Archive director says ‘missing piece of the puzzle’ now in place to verify authorship after decades of research

Two long-lost organ pieces by Johann Sebastian Bach have been performed in Germany, roughly 320 years after the composer wrote them as a teenage music teacher .

Entitled Chaconne in D minor BWV 1178 and Chaconne in G minor BWV 1179, the pieces were added to the official catalogue of Bach’s works on Monday and played in public for the first time in three centuries inside Leipzig’s St Thomas Church, where Bach is buried.

Nothing says it’s holiday season quite like a new installment of Rian Johnson’s delightful Knives Out mystery series. The final trailer for Wake Up Dead Man: A Knives Out Mystery was just released, featuring Daniel Craig’s Benoit Blanc in all his Southern gentleman detective glory. This time, he’s tackling the strange death of a parish priest in a spookily Gothic small-town setting.

As we’ve previously reported , the original Knives Out was a masterfully plotted winning mashup of Clue and Murder on the Orient Express —or any number of adaptations of novels by the grande dame of murder mysteries, Agatha Christie—along with other classics like Deathtrap , Gosford Park , and Murder by Death . Craig clearly found Blanc a refreshing counter to the 007 franchise, and he and Johnson soon committed to filming a sequel: 2022’s Glass Onion , inspired particularly by the Christie-based “tropical getaway” whodunnit Evil Under the Sun (1982) and an under-appreciated 1973 gem called The Last of Sheila .

And now we have Wake Up Dead Man . With this franchise, the less one knows going in, the better. But Johnson has assembled yet another winning all-star cast. Josh Brolin plays the victim, the fire-and-brimstone-spewing Monseigneur Jefferson Wicks; Josh O’Connor plays a young priest named Rev. Jud Duplenticy; Glenn Close plays a devout churchgoer named Martha Delacroix, Wick’s loyal helper; Mila Kunis plays local police chief Geraldine Scott; Jeremy Renner plays town doctor Nat Sharp; Kerry Washington plays uptight lawyer Vera Draven; Daryl McCormack plays aspiring politician Cy Draven; Thomas Haden Church plays groundskeeper Samson Holt; Andrew Scott plays bestselling author Lee Ross; and Cailee Spaeny plays Simone Vivane, a disabled former classical cellist.

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In Heightened Scrutiny, the fight driving activist and lawyer Chase Strangio is backgrounded by a deep dive into how the media has helped to push an anti-trans agenda

Trans documentarian Sam Feder’s latest feature Heightened Scrutiny is a kind of two-for-one – an affecting portrait of one of the most important trans activists of our time, and a continuation of the media critique he established through earlier films, particularly his groundbreaking 2020 Netflix doc Disclosure. It’s a powerful look at the fight over civil rights for trans people, while also posing as a critical rebuttal to supposedly center-left media like the New York Times and the Atlantic, which have aided and abetted rightwing forces in setting off a moral panic against trans existence.

The film follows the ACLU attorney Chase Strangio as he prepares for oral arguments in the supreme court case US v Skirmetti. These arguments occurred on 4 December 2024, with the court ruling several months later in favor of Tennessee’s attorney general, Jonathan Skrmetti, and in effect allowing restrictions on the medical transition of trans minors in over 20 US states to remain in place. As with many other rulings in the Trump-era court, it was one that has been widely decried by legal analysts for shoddy reasoning and clear bias.

As his sequel to Wicked prepares to storm Christmas, the director talks about the dynamism of Grande and Cynthia Erivo – and why his Wizard of Oz riff is quite simply one of the greatest stories of our time

Let’s start with a quick recap on the first Wicked film. Its premise: what would the legend of Oz look like, told from the perspective of someone other than that cute but dozy blow-in, Dorothy? The wicked witch, Elphaba (Cynthia Erivo), is entirely green, and has therefore been ostracised since childhood. Glinda (Ariana Grande), the good witch, is everybody’s princess but, after a time, the two become best friends. I’ll skirt over how the Tin Man, the Lion and the Scarecrow come about, suffice to say that, in the film at least, their backstories make perfect and resonant sense (except for the Lion, but never mind). The Wizard (Jeff Goldblum) is not a good guy – but is he a bad guy? The morals swirl, in an expertly handled way.

The first film left us at the point of discovery that Oz, far from being a magic paradise, was actually built on foundations of discrimination, oppression, enslavement and mendacity – or, if you like things simple, fascism. The fact that the slave-caste is the animal kingdom rather than a human out-group doesn’t make this opulent fantasia feel any less pointedly topical. “Any timeless story feels timely,” director Jon M Chu says, “because it’s about the human condition. When people become too powerful, what happens to the powerless? That cycle, unfortunately, challenges us every few generations, and maybe this is our moment. We’re the adults in the room now.”

Its 1981 New York premiere was a disaster but this told-in-reverse musical became a Tony award-winning hit with Daniel Radcliffe. The film version is a tear-jerking joy

I have made enough mistakes as a critic to feel mildly chuffed when a verdict is vindicated. In 1981 I wrote excitedly about a new Stephen Sondheim musical, Merrily We Roll Along, that I had seen in preview in New York; reviled by reviewers and shunned by the public, it then closed two weeks after opening. In 2023-24 the very same musical ran for a year on Broadway, won four Tony awards and was hailed by the critics. Fortunately a live performance of that Maria Friedman production was filmed and I would urge you to catch it when it’s released in cinemas next month.

I say “the very same musical” but that is not strictly accurate. Based on a 1934 play by George S Kaufman and Moss Hart, it is still the same story, told in reverse chronological order, of dissolving relationships: a success-worshipping composer and movie producer, Franklin Shepard, looks back over his life and sees how time has eroded both his creative partnership with a dramatist, Charley, and their mutual friendship with a novelist, Mary.

‘Gil Scott-Heron did the closing voiceover. He was giggling away, saying, “You English guys are crazy!”’

My creative partner Al Young and I had been on the dole for 18 months when we landed our dream jobs at Howell Henry ad agency. We had to prove ourselves fast. Tango’s brief was basically to get talked about. They told us: “We want Coca-Cola to be afraid of this little British brand.” The campaign was based around the hit of real fruit. We decided to escalate that concept, making the hit a physical thing.

Johnson Wen, who jumped over a barricade at Universal Studios Singapore and rushed at the Wicked star, has been convicted of being a public nuisance

The man who grabbed Ariana Grande at a red-carpet premiere for Wicked: For Good in Singapore has been jailed for nine days.

According to BBC News , Australian national Johnson Wen was convicted of being a public nuisance. Wen, 26, has a history of disrupting public events and rushing concert stages.