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      ‘There’s been a Badenoch bounce’: is the Tory leader finally cutting through?

      news.movim.eu / TheGuardian • Yesterday - 17:00

    Conservative insiders say the party and the public are warming to Kemi Badenoch after a difficult first year

    At a Conservative donors event last week, Kemi Badenoch was asked for a selfie by the former Spice Girl Geri Horner. The Tory leader was, her allies say, a little bemused. But they were clear about what the approach meant: cut-through.

    Badenoch’s leadership got off to a poor start. Still reeling from the Tories’ worst general election defeat, she took over a diminished and disheartened party, which was languishing in the polls and facing an existential threat in the form of Nigel Farage’s Reform UK.

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      Don’t blame Maria Balshaw for Tate Modern’s failings. Its lack of ambition goes much deeper | Jonathan Jones

      news.movim.eu / TheGuardian • Yesterday - 16:52 • 1 minute

    Tate stresses its departing director has ‘diversified’ the collection, but it has hidden its treasures and let its galleries slide into insulting incoherence – and visitors have voted with their absence

    In the last nine years Tate has had some hits, but its misses have become embarrassing. Tate Modern’s Turbine Hall is currently occupied by a feeble installation that would be weak in an ordinary-sized art space, let alone this gigantic one. It’s become genuinely hard to understand what Tate’s priorities are when it chooses artists for the annual Turbine Hall commission. And the Turner prize is even more mystifying. Once the stage of shocking, provocative art that engaged – whether they were for or against – a massive public, it has retreated into wilful obscurity, its trips around the UK starting to seem part of a studied wholesomeness. What’s the point of staging it in Bradford when the shortlist just exports the enigmatic tastes of a metropolitan elite?

    Is Maria Balshaw, who is quitting her post as director of Tate , solely responsible for this? No, but perhaps she is courageously taking the blame and allowing the institution to reinvent itself as it needs to, fast. The achievements Tate stresses in its announcement of her departure centre on how she has “diversified” the collection, exhibition and audiences. But in that noble quest, there has been a loss of artistic ambition, aesthetic thrills, raw horror and beauty. Sometimes we really do want art for art’s sake and Tate has lost sight of that.

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      Tell us: are you a young person from the UK who has recently moved abroad?

      news.movim.eu / TheGuardian • Yesterday - 16:35

    We would like to hear from young people who have left the UK in recent months –or are planning to do so

    Young people are leaving the UK in high numbers and we’d like to find out more about the reasons why.

    Is it about finding a better salary abroad or concerns about rising costs and tax in the UK? How did you choose where to move? How have you found the experience?

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      ‘Every Leon should be magical’: food chain’s co-founder on what went wrong – and how to fix it

      news.movim.eu / TheGuardian • Yesterday - 16:20

    John Vincent on bouncing back after cutting branches, refreshing the menu, and staff learning from martial arts

    John Vincent is going back to the future. Four years after selling Leon, the fast food chain named after his father and founded in 2004 with two friends, he has bought it back with hopes of reviving its fortunes.

    “In a crisis you need a pilot in full control,” the martial arts fan says, speaking to the Guardian from Leon’s headquarters near London Bridge.

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      ‘What is going on here?’ Meloni celebrated at Italy’s far-right Atreju Christmas festival

      news.movim.eu / TheGuardian • Yesterday - 16:04

    Week-long event organised by Brothers of Italy looks like winter wonderland but is chance for PM to flaunt power

    When, out of curiosity, Leila Cader and her friends entered the gardens surrounding Castel Sant’Angelo, a prominent Rome monument that once served as a refuge for popes during times of war, they thought they’d chanced upon an enchanting winter wonderland.

    With the scent of mulled wine wafting through the air, Santa’s elves wandering around, stalls selling nativity-scene figurines and skaters merrily gliding on an ice-rink, it was beginning to look a lot like Christmas.

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      Machado escape planner feared US strike on her vessel as it fled Venezuela

      news.movim.eu / TheGuardian • Yesterday - 16:01

    Special forces veteran Bryan Stern says he told US defence officials some of his planned route to reduce airstrike risk

    The most dangerous moments came when salvation seemed finally assured.

    Many miles from land, the small fishing skiff carrying the Venezuelan opposition leader and Nobel prize laureate María Corina Machado had been lost at sea for hours, tossed by strong winds and 10ft waves. A further hazard was the ever present risk of an inadvertent airstrike by US warplanes hunting alleged cocaine smugglers.

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      Christmas tree in Durham village chopped down hours after lights switched on

      news.movim.eu / TheGuardian • Yesterday - 15:42

    Police appeal for witnesses after tree put up in tribute to war dead cut down in act of ‘mindless vandalism’

    A Christmas tree that had stood in a village for more than a decade has been chopped down hours after having its lights switched on.

    The tree, in Shotton Colliery in County Durham, was felled between 10pm and 11pm on Wednesday. It is believed to have been cut down deliberately. Police are appealing for witnesses.

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      The Playboy of the Western World review – Nicola Coughlan serves comedy and tragedy in pub drama

      news.movim.eu / TheGuardian • Yesterday - 15:30

    Lyttelton theatre, London
    Coughlan plays a barmaid, alongside Derry Girls co-star Siobhán McSweeney, in JM Synge’s 1907 classic

    Every woman loves a bad boy, or so the cliche goes. Here it is tested when Christy Mahon walks into a pub to confess he has killed his father with a farming tool. It’s not quite the truth but he is, to his own surprise, turned into a local celebrity. Women flock to see him and men hail him a hero.

    John Millington Synge’s unromanticised comic portrayal of a farming community in the west of Ireland caused moral outrage at its 1907 premiere at Dublin’s Abbey theatre. This revival by the Abbey’s current artistic director, Caitríona McLaughlin, makes clear that it is something of a woman’s play, ahead of its time, with two female leads abjuring conservative Catholic morality to hope for something bigger than a small, scratching country existence.

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