South London park will host events including Field Day and Mighty Hoopla despite last week’s high court ruling

Organisers of the embattled music festival series Brockwell Live, held in Brockwell Park in south London, have said their events will go ahead despite a successful legal challenge against Lambeth council .

The park, in Herne Hill, hosts tens of thousands of people at the festivals Wide Awake, Field Day, Cross the Tracks, City Splash and Mighty Hoopla, as well as the family festival Brockwell Bounce and the Lambeth Country Show.

Masquerading as health and fitness publications, these journals contained photographs of finely muscled, nearly naked men that were beautifully lit and classically posed. Now a gorgeous new book is celebrating these ‘museum-worthy’ images

In the late 1950s, when photography critic Vince Aletti was in his mid-teens, he stumbled upon a clutch of magazines at a local newsstand that seemed to speak directly to him. From their covers to the pages inside, the pocket-sized magazines were packed with strikingly composed images of nearly naked, finely muscled men, many of whom appeared to have a secret rapport with each other. “I remember getting really turned on by that,” Aletti recalls, sitting in his apartment in New York’s East Village. “I also remember being really worried that my mother might find those magazines in my room.”

Physique magazines, as such publications were generically known, operated on a coded system, designed to function as smoke signals for gay men during an era of heightened repression and censorship that lasted from the 1930s until the early 70s. The magazines, which were pumped out in cities across the US, made sure to pass as health and fitness publications, but the style and content of their photos were clearly created for the tastes and desires of gay men. In the decades since, physique images have often been written off as campy relics of a sad past, but Aletti wants audiences to consider them anew.

Equality Trust says billionaires getting ‘ludicrously’ richer, with top two now wealthier than whole of 1990 rich list

The number of billionaires in the UK has grown sharply – from 15 in 1990 to 165 in 2024 – at the same time as inequality in the UK’s overall wealth distribution has dramatically increased, analysis has found.

Timed to coincide with the Sunday Times’ rich list, the Equality Trust’s investigation also found that billionaires have become “ludicrously” more wealthy, with their average wealth skyrocketing by more than 1,000% over the same period.

Former president says: ‘Cancer touches us all … Jill and I have learned that we are strongest in the broken places’

Joe Biden made his first public remarks on Monday morning about his cancer diagnosis, an aggressive form of prostate cancer that has spread to his bones.

“Cancer touches us all. Like so many of you, Jill and I have learned that we are strongest in the broken places. Thank you for lifting us up with love and support,” Biden wrote on social media, his first statement since his office reported the diagnosis on Sunday.

Drugmaker Regeneron Pharmaceuticals will buy the genetic testing firm through a bankruptcy auction

The drugmaker Regeneron Pharmaceuticals will buy the genetic testing firm 23andMe Holding for $256m through a bankruptcy auction, the companies said on Monday.

Regeneron said it will comply with 23andMe’s privacy policies and applicable laws with respect to the use of customer data and that it is ready to detail its intended use of the data to a court-appointed overseer. The companies expect to close the deal in the third quarter.

Deal would allow US to carry out military activities in and from Denmark, giving them powers over Danish civilians

When Copenhagen signed a new defence agreement giving the US “unhindered access” to Danish airbases in December 2023, the idea of granting sweeping powers to US forces on Danish soil was quite a different proposition to what it is today.

The US, then under the Biden administration, was an unwavering Nato ally that Denmark had followed into wars in Iraq and Afghanistan, and Nordic neighbours Sweden, Finland and Norway had similar agreements with the US.

Aubrey Williams produced huge, colourful abstract paintings and was influenced by music and climate issues

An artist whose work was part of the first wave of abstract art to hit the UK and presaged the climate breakdown protests as well as debates over the legacies of British colonialism is undergoing an “overdue” reappraisal, according to experts and critics.

Aubrey Williams, the Guyanese artist who moved to Britain in the 1950s, was a respected figure in his lifetime and the subject of several exhibitions in the UK. But after his death from cancer in 1990, the artist’s influence and the legacy of his abstract painting has slowly faded from view in Britain.

More than half of women in the workplace feel pressure to be liked, compared with only 36% of men. Just imagine what women could be doing if they didn’t have to smile all the time?

Name: Likability labour.

Age: The phrase is new, but as a thing it’s almost certainly been going on for ever.

Hauser & Wirth Somerset, Bruton
The married sculptors made very different art – hers curvy and colourful, his rickety and angular – but it all hums with life when brought together

It is a bright and sunny day in Somerset, and out on the neatly mown lawn at Hauser & Wirth, Niki de Saint Phalle’s voluptuous Nanas (“girls”) are positively sparkling . There are three of them (a nod to Botticelli’s three graces): one silver, one black, one white, all made from polyester jazzed up with colourful mosaic and shimmering mirrors. She has captured them mid-twirl, arms tossed in the air like they just don’t care, legs kicked out at jaunty angles. They are joyful and radiant, monumental and robust, dancers and warriors.

Saint Phalle, a French American artist, began creating her abstract sculptures of women in the mid-60s, a decade after she first met the Swiss sculptor Jean Tinguely in Paris. He was married and so was she but five years later, both divorced, they got together; by the time they were married in 1971 both were seeing other people. It was a complicated, sometimes competitive relationship – romantically and artistically – that saw them collaborate and support each other creatively until Tinguely’s death in 1991. Saint Phalle looked after his legacy until her own death in 2002. Now, on the centenary of his birth, a new exhibition is presenting their work side by side – at least once we get off the grass and into the gallery.